New Tendencies Emerged Paul Cezanne Essay - 2377 Words

In 1874, an exhibition by members of the Private Company of Artists that consisted of Claude Monet (1840 -1926), Camille Pissarro (1830-1903), Pierre-Auguste Renoir (1841-1919), Berthe Morisot (1841-1895), Edgar Degas (1834 -1917), and Alfred Sisley (1839 -1899) perplexed society with the dematerialization of reality in their paintings and signaled the birth of Impressionism as a new movement. However, a decade later, the concept of capturing the immediate illusion had exhausted itself. The crisis of Impressionism appeared with changes in Renoir’s painterly manner, Degas’s interest in three-dimensionality, and Monet’s involvement with the subjectivity of perception. New tendencies emerged: Paul Cezanne (1839-1906) experimented with perspective, color, and visual mass, and Georges Seurat (1859 -1891) and Paul Signac (1863 -1935) worked on color theory in its application to divisionism, leading the course of Neo-Impressionism. These developments in painting were innovative and even revolutionary, but they still emphasized visual representation as a goal, thus continuing the ultimate tradition in art. The artist who shifted this focus towards emotional manifestation was Vincent Van Gogh (1853 -1890). Conveyed through colors and lines, Van Gogh’s paintings delivered raw, almost visceral emotions. In the art arena of the last decades of the 19th century, his visually distorted and emotionally charged reality remained unique and unappreciated. At 37, after 10 years ofShow MoreRelatedArt as an Embodied Imagination22095 Words   |  89 Pages. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. . The University of Chicago Press and Journal of Consumer Research, Inc. are collaborating with JSTOR to digitize, preserve and extend access to JournalRead MoreArt as an Embodied Imagination22095 Words   |  89 Pages . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. . The University of Chicago Press and Journal of Consumer Research, Inc. are collaborating with JSTOR to digitize, preserve and extend access to Journal of Consumer